Sunday, 19 February 2012
Thursday, 16 February 2012
unrequited: music video
Unrequited - Pyrat 10 from Shaun Glowa on Vimeo.
my friend shaun has made me this bloody brilliant music video for one of my songs. i couldn't be happier. cheers pal. check out the rest of his films on his website. www.shaunglowa.com/
Wednesday, 15 February 2012
5x4 scan
this is just a scan of a 5x4 negative that i took the other week, i've just inverted it on photoshop. i'm back in the darkroom tomorrow so i'm gonna do some proper prints soon and i'm gonna be doing more large format stuff so keep a look out for it.
Wednesday, 8 February 2012
Sunday, 5 February 2012
darkroom work
these are some prints that i've been doing in the darkroom over the last couple of weeks. i've put some contact sheets up and a few enlarged prints, i'm still working on the prints, i don't think there quite right yet.
Friday, 3 February 2012
artist profiles: sam ingham sam mcloughen
sam ingham
Paints Things
Sometimes,
I Don't Know Why,
But I Like To Stare,
At The Sky.
sam mcloughen
23 singing
lamp posts
This sound
work is made up from field recordings of singing (humming, buzzing, ect.) lamp
posts. Over a two week period i took nocturnal walks around Rochdale and
Todmorden searching out and documenting the few posts that produce audible
frequencies. I was interested to find that singing posts uniformly emit the
same root frequency, around 200Hz, just under G sharp. Other harmonics commonly
occur, 5ths and Major 3rds along with a whole host of rattles, buzzes and other
characteristics that are specific to each post. The sounds are presented
consecutively in a 1:54 min loop. The project is ongoing with a CD release
planned sometime this year.
Sam mcloughlin
(b.1981) is a musician and artist from Rochdale. He likes making musical
instruments out of found objects and operating monophonic analog synthesisers.
He performs and records under the name sam and the plants and releases music on
the twisted nerve/ finders keepers label. www.samandtheplants.com
Thursday, 2 February 2012
artist profile: jack whiteside garry giomarelli
jack whiteside
Passing through the Sudden Subway on the way to school was what began my
fascination with aerosol art, I was massively inspired by artists such as
Clear, Nibs and Shunk who would paint down there regularly. At an early age I
began sketching work I had seen in books or photographs I had taken of local street
art. This then went on until I began to develop my own style. I first picked up
a can of spray paint in around 2003 I would make stencils and use them
to spray onto my skateboard, however I was always more interested in Free-hand
graffiti. I began trying that in around 2004/ early 2005 in the subway
which sadly got knocked down soon after due too some lame council plans to
change the round about into traffic lights because they thought it would
decrease congestion. Anyway it didn’t stop me from painting and my work
pretty much developed from there. Its just a little sad to think how many other
youngsters would have been influenced to go out and express themselves by
painting walls like I was if the subway was still there. O well shit happens; especially
when you live in Rochdale.
garry giomarelli
I am currently in
my final year of a degree in visual communication at Leeds collage of art. I
enjoy working in a variety of mediums, such as photography, model
making/sculpture, video and animation.
artist profiles: mei tse matt shaw
mei tse
matt shaw
Incremental.
Currently a university student in my final
year of study, a reoccurring theme in my work is juxtaposing opposites, such as
balance and tension, order and chaos, singular and collective. Most recently I
am exploring the notions of micro and macro through three-dimensional
experimentation – a collection of small elements that form something larger.
Considering and responding to space, shape, form and arrangement are the main
principles of my work.
The installation above the glass-domed roof
of the gallery consists of a mass accumulation of clear acrylic hooks and
contrasting solid white hooks, each individually connected to form a shape that
reflects the space.
This structure has been used in two other
locations, including Spring Bank mill, each time arranged differently in
response to the space and environment of the location.
matt shaw
Incremental.
With
the use of a laser cutter I have been able to produce multiple components, each
exactly the same, simple squares. Stacked incrementally, with an even rotation,
they create a complex construction, which would appear to have no connection to
its humble beginnings. The column has been centre lit to enhance its twisted
aesthetic and radiate a warm glow.
The
form evolved from studying the molecular make up of DNA strands and the double
helix structure that is produced by a process called supercoiling. This is when
two strands of DNA become twisted into a spiral, developing the form we
associate with the term. Along with RNA and proteins, DNA is one of the three
major macromolecules that are essential for all known forms of life, therefore
being a fundamental factor in our existence.
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