Thursday, 2 February 2012

artist profiles: mei tse matt shaw

mei tse


Currently a university student in my final year of study, a reoccurring theme in my work is juxtaposing opposites, such as balance and tension, order and chaos, singular and collective. Most recently I am exploring the notions of micro and macro through three-dimensional experimentation – a collection of small elements that form something larger. Considering and responding to space, shape, form and arrangement are the main principles of my work.
The installation above the glass-domed roof of the gallery consists of a mass accumulation of clear acrylic hooks and contrasting solid white hooks, each individually connected to form a shape that reflects the space.
This structure has been used in two other locations, including Spring Bank mill, each time arranged differently in response to the space and environment of the location.



matt shaw


Incremental.


With the use of a laser cutter I have been able to produce multiple components, each exactly the same, simple squares. Stacked incrementally, with an even rotation, they create a complex construction, which would appear to have no connection to its humble beginnings. The column has been centre lit to enhance its twisted aesthetic and radiate a warm glow.
The form evolved from studying the molecular make up of DNA strands and the double helix structure that is produced by a process called supercoiling. This is when two strands of DNA become twisted into a spiral, developing the form we associate with the term. Along with RNA and proteins, DNA is one of the three major macromolecules that are essential for all known forms of life, therefore being a fundamental factor in our existence. 


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